blackhistoryalbum:

Southern Belle |1920s
By Richard Samuel Roberts, from the book, A True Likeness—The Black South of Richard Samuel Roberts: 1920-1936, which depicts South Carolina’s African-American life in the 1920’s and 1930’s.
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blackhistoryalbum:

THANK HEAVEN FOR LITTLE GIRLS | 1947
African American girls walking the streets of Harlem, NYC, 1947. Photo by Morris Engel.
via Black History Album, The Way We Were
blvckfreshprince:

[Untitled] (Southern Girl, Florida), 1950s, Consuelo Kanaga
(via)
mfeltonn:

Mãe Menininha (front center) and her Candomblé priestesses at the Ilé Axé Yá Masse temple, Salvador, Bahia, 1940-41.

“Black males have helped create the blues, more than any other music, as a music of resistance to the patriarchal notion that a real man should never express genuine feelings. Emotional awareness of real-lfe pain in Black men’s lives was and is the heart and soul of the blues. When the guitar player sings, “I found a leak in my building, and my soul has got to move,”…he is singing about the pain of betrayal, about the soul’s need not to be abandoned, but to find shelter in a secure emotional place.”

a return to a blues aesthetic in music would be a nice departure from rapey rap.

-bell hooks, from “Forever” in Black Cool (via sydlow)

(via blackjahjah)